Marja Samsom is an international artist and filmmaker, whose work confronts and exposes with elegant wit. Poised within the 1970’s international avant-garde, her early works are experiments in self representation. Her embodiment and simultaneous commodification of the character ‘Miss Bhave’ 'Miss Kerr' pose an elegant, tongue-in-cheek dissection of glamour. Samsom’s current photography explores relationships between objects that illuminate playfulness. Her practice is daily exploration: making something out of nothing.
Marja Samsom was born in the Netherlands, raised in Europe, and exhibits internationally. Samsom's New York debut was at the Fine Arts Building (1975) in a group show curated by Julian Pretto. She went on to perform at a variety of seminal avant-garde galleries, including the Hal Bromm Gallery (1977) and the SF Gallery in Santa Fe, NM, curated by Edmund Gaultney. After performing at the 1976 Venice Biennale, her work was featured in FlashArt Magazine. In tandem with her performance work, a series of self-portraits and S8 films were shown at the Byrd Hoffman Foundation (1975) and her photography was exhibited at the Bertha Urdang Gallery (1977). In Europe, she showed her work and films at the Riekje Swart Gallery and was part of the inauguration of de Appel Center (1976). Centraal Museum Utrecht nominated Samsom in 1978 to design their annual catalogue. Returning to New York in 1980 at the invitation of De Appel's artist's exchange, Samsom performed at Franklin Furnace and designed the poster for this program.
Deciding to stay in New York, Samsom created a word-of-mouth salon, the ‘Kitchen Club’, in the East Village. It developed into the legendary downtown eatery of same name on Prince & Mott Street from 1990-2010. Curating both menu and restaurant space, Samsom actualized her underground Kitchen Club as a gesamtkunstwerk. She hosted a radio series "Cooking up a Storm" on Art International Radio and completed a residency at the Clocktower Gallery with a storytelling performance ‘Shrine’ dedicated to her sister. Recently, she has completed a number of performances at Participant Inc. and currently her work is included at H’ART Museum, Amsterdam. She lives and works in Downtown New York City.